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Soft Cell's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell with Marc Almond at Leeds during 1977

Dave Ball, one half of the innovative 1980s electronic music band Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the duo scored a worldwide hit with their version of Gloria Jones' Tainted Love in 1984, and their debut album their initial full-length release is considered a classic of synth-pop.

He later founded the innovative electronic act The Grid, who achieved popular acclaim with 1994's the hit Swamp Thing.

Ball died calmly in his sleep at his home in London on Wednesday 22 October, only a short time after playing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

At that performance, Ball appeared in a wheelchair, as he had for the previous couple of years, after a spate of ill-health.

"I ended up damage myself significantly," he commented in 2023. "I fractured spinal bones in my spine and cracked about five ribs and broke my wrist."

Following catching pneumonia and suffering from sepsis, he was placed in an medically-induced sleep and stayed in hospital for half a year.

Nevertheless, he had been in "a great place emotionally" during the summer, as he was developing a new album with Almond, titled Danceteria, which is set for publication next year.

"He was focused and so happy with the latest project that we literally completed only a few days ago," said the singer in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an positive year for him, and I find comfort from the fact that he listened to the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond described his collaborator as "an exceptionally talented creative mastermind", adding: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Thank you Dave for being an immense aspect of my life and for the songs you gave me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "endless laughter" and "unwavering friendship".

"Forming a duo with someone is different from being in a band, the bond is incredibly close," he added.
"That's how it was with us. We experienced so many extraordinary, extraordinary, life-affirming experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in 2018

Early Life

Born into a single-parent household in Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.

He grew up in the seaside town with his new family his caregivers, who changed his given name from his birth name to his adopted name, together with his sibling his sister, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both learning fine arts. Fuelled by a shared love of a music genre, they established Soft Cell the same year, and promptly produced an extended play.

Creative Collaboration

The pair were an unusual pairing: Ball was the quiet technician, bent over his synthesizer, while Almond was a charismatic showman, all glitter and eye-liner; but they achieved a rare creative synergy.

Ball had cultivated a fascination with electronic instruments after watching the band Kraftwerk appear on a television program Tomorrow's World, and began to marry dark electronica to the soaring melodies Almond was writing.

Their signature song became the United Kingdom's second most popular single of 1981, shifting millions of units worldwide. Alongside hits by Gary Numan, Human League and electronic acts, it helped paved the way for the electronic music style of the 1980s.

The song was also included on their full-length debut, their initial LP, which spawned two additional top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the separate release, Torch, which reached at number two in 1982.

Soft Cell in the studio
The duo were working on new material until just before Ball's death

Career Highlights

Fame had its upsides. "I enjoyed being able to afford my initial property, having money and travelling, which might seem like a Miss World," Ball recently shared with a publication.

But it also presented challenges. "Sudden riches meant we could purchase substances to alleviate the monotony" of press appearances and TV performances, Ball explained.

"I know that's a common saying, but it's a truism for a good reason, because it applies for so many musicians."

During the hedonistic lifestyle, the pair were also drifting apart, but they succeeded to create a follow-up classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.

They released one more album, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond proceeded to have a prosperous individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with ambient pop over a long-lasting partnership.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, producing the Top 40 album Cruelty Without Beauty.

Following another break, they reappeared in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the O2 Arena on September 30, that year.

However, they remained active, creating their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately described the band's upcoming release as a homage to the NYC nightlife they frequented while making their first two albums.

He added that his period in hospital had influenced the group's music.

"I had strange recollections when I was coming and going of the hospital because I was on morphine," he told a publication.
"The new songs are a electronic representation of the noises in my mind from those days.
"In parallel, it's about the experiences me and Marc got up to in the 80s."

The final mixes were finished only days before Ball died. It is scheduled for release in the spring of 2026.

By

Gerald Sanders

Tech writer and innovator passionate about emerging technologies and digital transformation.

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